When Bruce Springsteen finally achieved national recognition in the autumn of 1975, after a decade of striving, critics hailed him as the saviour of rock & roll. They regarded him as the artist who seamlessly fused the exuberance of 1950s rock with the introspective depth of 1960s rock, all shaped into a 1970s style. He delivered performances as electrifying as Jerry Lee Lewis, his lyrics were as complex as Bob Dylan’s, and his concerts became near-religious celebrations of the best that music had to offer. One critic was so captivated by his work that he left his role as a reviewer to become Springsteen’s manager.
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